22.01.20 - FEST - Mrs Williams

LOYALTY CHOREOGRAPHY

In this rehearsal, we tried to combine the poems we had from the previous lesson as stimuli to create more for our loyalty choreography.  I think the movement and poem helped give more context but if we were to use it, we'd need more direction because it needed to show some more emotion.

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Louis, James and Tristan.

• I liked their chair duet because it seemed effortless and I liked how fast and smooth it was.
• The movements in their chair duet were good.
• I liked how they intertwined their characters in the piece.

Hugo and Seth

• Their lift was controlled and smooth.

Emma, Silvana and Amelie

• The puppet section was creative and effective.
• The poem worked well within the piece.
• We showed a good storyline.
• We used different frantic assembly methods.

WHAT IF?

What if we intertwined our groups?
What if we had more than one storyline?
What if we include a monologue in the choreography?
What if we used the puppet movement to show Louis and Amelie's controlling relationship?

DEVISING NOTES

We took some inspiration by looking at different pieces of art by Damien Hurst and Tracy Emin, including Bedroom.  The idea of art being totally subjective is a great place to start a piece.  We used the piece Bedroom to create a short piece of theatre which lead up to the bedroom looking like the piece of art.


LOYALTY CHOREOGRAPHY

We spent some more time on our choreography with the poem but wanted to make it fit with our piece and the characters within our piece so we switched Amelie with Silvana and James took Silvana's place.  This shows the dynamics between James and I fighting over Silvana's attention.
After that, we created the potential opening scene with different Frantic Assembly methods.  We were in pairs to show the more dominant relationships between the characters.  The couples are, in order, Seth and Tristan, Silvana and James, Emma and Hugo, Amelie and Louis.  We each went off in our pairs and created a quick movement sequence with only one starting point which was the running into the scene.  I think we progressed very well and it turned out great.  I also like how we each had a line to incorporate in the movement.  I think the overlapping is really cool as well.
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