22.02.20 - FEST - Mrs Williams

WARM UP

For our warm up we did some sprints from one side of the room to the other.  After a few sprints, we added in a jump in the middle of the room.  We had to run to the middle, jump, run to the end of the room, run back to the middle, jump again and then run back.  After a few times of that, we had to jump up then touch the floor and run.  Finally, after a few times of that, we did a few runs with touching the floor, then jumping, then touching the floor again.  This made us all warm and ready to work.

MIRRORED CHAIR DUET

We first started off by doing the mirrored chair duet between Louis and Amelie, and Tristan and I.  We've already learnt the choreography for this chair duet but I think Tristan and I need to practice this a lot.  We aren't confident enough yet so this really needs to be improved so that Amelie, Louis, Tristan and I are all in sync.

RUN THROUGH

After the mirrored chair duets, we did a run through of everything we had done from start to as far as we got.  This went quite well but we needed to sort out the order of the plot and our fluency from one scene to another.

PLOT CHANGES AND ORDER

We've changed the plot a bit to make the ending make more sense.  Before, we didn't have a complete understanding of what happens to our characters and it was all a bit vague.  This is the new scene order:

• Prologue
• Fred's monologue
• Bar movement involving everyone
• 3 boys fragmented monologue
• Mirrored chair duet
• Jane and Meredith's fragmented monologues
• 3 boys argument
• David and Jane plotting
• Jane planting seeds inside Harry's mind
• Swindon 5 train station 
• Meredith asking Laurent to walk her down the aisle
• Charles explaining why he doesn't want to marry Marie
• Swindon 5 train station
• Laurent, Charles and Marie talk
• Awkward bar scene - David ranting, Laurent there, Fred splits it up
• 3 boys singing Sweet Caroline - David tells Harry that Meredith is cheating
• Harry and Meredith get into fight
• See Charles and Meredith's past relationship as Charles comforts her
• David's reveal of lies about cheating - Jane breaks up with David
• Harry and Meredith happy
• Charles and Marie argue but then propose
• Laurent and Jane happy

ENDING

We finished off our rehearsal with figuring out the ending to our piece.  First, we had a scene in the bar where David needs to get through all of the people he's hurt.  We used physical theatre with round, by, through to show this.  Then once he passes Jane, Meredith and Harry, he gets to Fred at the bar and downs a pint as Jane, Meredith and Harry give him a hateful stare.  He gets another pint and sits at the edge of the stage, centre stage.  Jane, Meredith and Harry walk up to him until he's enclosed and then walk away.  After this, Fred has a monologue describing what all the characters are going through.  Then the prologue we have at the start is done again, but as an epilogue.  We are also with different characters depending on our new relationships with people.  Then, in this physical theatre movement with lifts and round, by, through, we find a good position to freeze in to show the relationship between the characters.  After that, we all come together to do a bow.

12.02.20 - FEST - Mrs Williams

MOVEMENT SEQUENCE AND CHAIR DUET

We created a movement sequence for the opening bar scene.  We got into pairs which would work the most realistically.  I went with James because even though I start dating Tristan, we hadn't met at this point and that is what happens in this scene.  The other pairs were Louis and Tristan, Amelie and Silvana and Hugo and Seth.  Within the pairs, we had to create a set of movements to a count of 8 so that we could put it in a loop.  For example, with James and I, my counts were, grab the beer glass, take a glug, cheer, slam it down and slide it to James.  James had the same amount of beats as I did but he was being a bar tender so cleaning the glasses and filling them up with beer.  James and I slid the glasses at the same time so the other person caught it.  I also had to play drunk as I drink more and more.  I came into the scene first, then Louis and Tristan, then Amelie and Silvana and finally Hugo and Seth.  Every time the pairs went up to the bar, I had to interact with the partners.  When the boys came, I had to try flirt with them and when the girls came, I tried to dance with them.  After the 3 pairs came up to the bar, Tristan came back up and I did a chair duet with him.  This was to show how we met.  We wanted to make the chair duet look as fresh as possible with a real connection.  One way we showed this was through having our faces extremely close together.  It was quite difficult to make this chair duet as we weren't on staging blocks.
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For this scene, we used the song Friday I'm In Love by The Cure as a stimulus.  We liked the fun atmosphere it brought out of the characters and the scene.
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After this scene it goes straight into a scene between Tristan, Louis and James where they have an argument.

PROLOGUE

We decided that it would be best to change the characters around a bit so Tristan was now playing David instead of Hugo and now Hugo was playing Jeff (now changed to Laurent), Meredith's sister.  The prologue we started with now didn't work with the new story line so we had to change some things round a bit.  I stayed the same but now had to teach Tristan the choreography that Hugo had previously.  After that, we went into the bar scene we created this morning and fragmented monologues between Tristan, Louis and Harry.

SWINDON 5

Then we created a Swindon 5 piece to portray the train station when Laurent goes to see Meredith in London.  It started off very choreographed so everyone was evenly spaced apart and we didn't have specific characters, it was more neutral.  Then after testing the waters we gave ourselves specific characters.  I was an old lady so I also walked very slowly and people overtook me.  We also added the specific places so it didn't look as if we were walking around aimlessly.  We had a cafe downstage left, the departure board downstage right and the platform upstage left.

FULL RUN THROUGH

At the end we had a full run through of the material we had so far and it worked out really well.  We also timed it to see how much content we had and it came to around 15 minutes.  This was a lot better than what we were expecting.  I think we're all a lot more motivated and excited.

27.01.20 - FEST - Ms Trono

MAIN REHEARSAL VIDEO
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WARM UP
For our warm-up we spent some time playing Zip Zap Boing to get our bodies moving and to put us in the right mindset.  This gave us a lot of energy and set the tone for the rest of the rehearsal which was good.

OPENING CHOREOGRAPHY
We continued to practice our opening choreography and refresh our memories.  We then performed it and I think it went quite well.

FIRST MONOLOGUE
We decided as a group that it would be best to have James' character to be the first to speak.  He, as the bar tender, is pretty much the middle of all the action so I think having him open it would be most effective.  We also thought that it would be quite interesting to include some physical theatre around him whilst he is talking, which he could also be involved in.  We got this inspiration from DV8 doing Enter Achilles.
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James was having a hard time doing improvisation for this monologue so we hot seated him to help him think of subjects to talk about.  I think this has helped him, and the rest of us, enough to be able to write a monologue for James' character.
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21.01.20 - FEST - Ms Trono

In today's rehearsal, we used poems as stimuli for our choreography.  There was one poem on an abusive father to his son, one on a relationship and one on someone dying.  We chose the one by ... about someone dying but it was very abstract so we altered it to be more fitting to us which we will carry on in tomorrow's rehearsal. 

20.01.20 - FEST - Ms Trono

In this lesson, we spent a bit of time going over everything we had previously done.  We then rehearsed the loyalty choreography we made from last lesson and performed it to the group.  After that, we discussed the points of which group we liked.

Seth and Hugo

• They made the storyline very clear
• Their clamp lift was smooth

Louis and James

• Their round, by, through was really smooth and effective
• They incorporated the chair duets and lift well

Amelie, Silvana and Emma

• Our hip lift looked very effortless
• The chair duet showed the theme of loyalty

15.01.20 - FEST - Mrs Williams

BRAINSTORM

Loyalty

• standing by someone at all times
• cheating on s/o
• compromising beliefs to defend people you're loyal to
• brand loyalty
• biological family vs the people who actually raised you

IMPROVISATION

Tristan and Emma

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• Silent entrance - showing the desperation
• Narrative enigma
• Shift of emotions from angry to wanting help and advise

Louis, Amelie, James and Hugo

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• Amelie entering 
• Amelie being very controlling - parental controls on phone etc.
• Bar tender character knowing everything
• Relationship between Louis and Amelie's character
• Conflict in Louis - whether to stay in bar or go with Amelie - apparent in walk
• Wedding in the air but it never quite happen
• Possibly the morning of the wedding but doesn't go right.

Seth, Silvana and Hugo

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• Betrayal of trust 
• People finding out
• Misunderstanding - Hugo not knowing and then calming down once understood - shift
• Introduction of Hugo's character

5 POINT PLOT IDEAS

1. Bar scene with Amelie, James, Hugo and Louis
2. ?
3. ?
4. ?
5. All together at house party - find out all know each other

WARM UP

We did some warming up after lunch which we had planned in the previous lesson.  In our pairs we lead a warm up.  It was important to get our bodies warm and moving around as we were doing Frantic Assembly.

Seth and I lead some stretches and also used the song Roxanne by The Police.  Every time it said "Roxanne", the girls had to do a push up and every time it said "red light", the boys had to do a pushup.

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Amelie and Silvana also lead some stretches.

Hugo and Tristan made the group do push ups for 1 minute as well as sit ups for 2 minutes.

Louis and James used the song Love The Way You Lie by Rihanna and Eminem.  When Eminem was rapping, we had to hold a plank position and when Rihanna sang, we would break.

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At the end, we played a hand game where everyone lies on their stomach in a circle facing the middle with their hands in front of them.  Then everyone put their right hand over the left hand of the person to their right.  Then we would go round in a circle and everyone would tap the floor in order of the hands.  It gets very difficult because you think that your hand is next when it isn't.  Whenever someone messed up, they would have to get up and run around the circle before everyone has slapped around the circle.  If they didn't get there in time, they would have to do 10 push ups.

SWINDON 5

We tried a Frantic method from Curious Incident of the Dog in the Nighttime.  We started by having all of us walking around in a big figure of 8, trying to weave us together.  Then we added in points where we would change from walking forwards to walking backwards.  We then had Tristan in the middle who's objective was to get our attention but we didn't give it to him.  His next objective was to pick up a book from the ground but the rest of us had the objective of not letting Tristan pick it up.  This could be used in a panicky scene where the person in the centre feels like they can't get a hold of something or they're frustrated.  We also thought that this would be good in a train station, a school hallway and a busy hospital.

LIFTS

We moved on to lifts by Frantic Assembly.  The first lift we looked at was the hip lift.  One person had to have their arm around the other's waist and squat down to get their hip below the other persons.  Then they would take a step and then, with pressure applied to the hip area, would lift the other person up.

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The second lift we looked at was the clipboard lift.  One person had to squat to get their hips lower than the other persons and then the other person would put their arm over their shoulder and clamp it together.

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The last lift we looked at was the one rock lift.  There were two people standing opposite each other and one was squatted down.  Then the other would go up to them and press down on their shoulders and lift one leg up.  Everyone else would then lift the person from underneath.  The person in the air could then let go of the first person's shoulders.

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LOYALTY CHOREOGRAPHY

Using this music as a stimulus, we then had the task to create a piece about loyalty using Frantic Assembly's methods.  We could use the ones from last week as well, such as chair duets and round, by, through.
This is what we've created so far.
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17.12.19 - Peter and the Wolf - Ms Trono

REHEARSALS
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WARM UP
For the warm up we did the same Sally song as yesterday and two other songs.  For the Sally song, we did lunges for the first part of the song and squats for the second half.  My legs were already aching from all of the squats we did the day before so I really struggled.  Mr Lemon told the cast that your mind quits before your body, so I really wanted to keep going to prove to myself that I could do it even when my mind quit.  By the end of the song, I ended up crying because I was in so much pain, but I felt stronger and happier afterwards.
We did Love The Way You Lie by Rihanna and Eminem:
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Every time Rihanna sang, we held a crunch position and every time Eminem rapped, we did sit ups.  This was a lot easier than the Sally song we did in my opinion as I have stronger ab muscles than leg muscles.
We also did Thunderstruck by ACDC:
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In this song, every time the word "thunder" was said even in the word "thunderstruck", we had to do a burpee.  By this time we were all absolutely worn out so we struggled to carry on.

REHEARSAL
For the rehearsal, we had a bit of a tough time, especially Tristan, the narrator, to adapt to the orchestra as this was our first rehearsal with them.  One of the musicians wasn't able to make the rehearsal which was even more difficult and stressful.  Some of the music was faster and some was slower than the recording that we had previously been rehearsing to.  For example, my music when Tristan says, "In a twinkling, the cat climbed up the tree" was significantly faster than the recording.  Despite all of this, we still managed to make things work.  Our first run through was even worse than the day before, so all of us got down hearted for a bit but then we pulled ourselves together and did a much better second rehearsal.

16.12.19 - Peter and the Wolf - Ms Trono

WARM UP
Today was our first rehearsal from 6-9pm.  This was quite challenging as I'm not used to rehearsing this late but I had quite a fun time.  For our warm up, we were introduced to a workout to a song:
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When the song said "bring Sally up" we had to stand and when it said "bring Sally down" we had to squat.  Mr Lemon made sure we were in the proper form.  This was so difficult for me as I'm not very physically fit.  Ms Trono told me that a part of being an actor is having that physical ability and strength so I will be doing more exercise in order to increase my fitness and stamina.

REHEARSAL
We found out today that Georgia has been in quite a serious accident which means she is unable to do the show so Silvana had to step up to her role.  As Silvana had to take on Georgia's role in a previous rehearsal where Georgia didn't show up, she was already very familiar with the choreography which was helpful.  Silvana really embraced the duck role and accepted the stress, hard work and dedication that came with it.  For this rehearsal, we spent a bit of time helping Silvana with her new role and did our first full run through with costume.  This run through wasn't as smooth as the one yesterday which we were quite upset about as we wanted to prove how hard we worked on Sunday.  After the first run through, our morale was pretty low because we were annoyed with ourselves but we didn't let it stop us.

15.12.19 - Peter and the Wolf - Ms Trono

WARM UP
For our warm-up, we all followed Amelie and Silvana doing stretches and exercises.  These were very effective and warmed up our bodies.

REHEARSAL
Today, Amelie booked a dance room for the cast to rehearse in so we spent about 3 hours rehearsing.  We did a run through and then decided which parts needed the most amount of work.  We choreographed the hunter and wolf's scene but Seth didn't know what to do as he wasn't in the rehearsal when we choreographed it.  He took on the dance quite well and Georgia and Silvana were helping him.  I was quite distracted in this rehearsal as I wasn't as needed that much.  We also helped to block Tristan correctly and involve him more in the scenes.  This breaks that fourth wall, however, we made it very entertaining for what we believe children would want to watch.

12.12.19 - Peter and the Wolf - Ms Trono

REHEARSAL
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In this rehearsal, the wolf character came back from time off so we spent most of the lesson helping him with his blocking, choreography and making his movements larger and more exciting.  As our play is directed at young children, we need the characters to have over-the-top and large movements to keep them excited and interested.  We helped Hugo with this and made his body language more extreme.  It looked much better by the end of it.  We also decided to play with the music a bit and have Hugo move in time with it.  Most of his music is slow and eerie but there is one part in this section where his music becomes quite a fast beat.  We made Hugo walk in time to the music to make it more interesting for the audience.  The cast was quite distracted and out of it today, however, Hugo carried on throughout.

10.12.19 - Peter and the Wolf - Ms Trono

DISCUSSION IN REHEARSAL
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REHEARSAL
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We believe that the beginning and end is quite smooth so we decided to work on the fighting scenes with the wolf.  Our lack of characters made it quite difficult to rehearse the parts we wanted to.  Georgia, as the duck, is in the first half and Hugo, the wolf is in the second half, so without either of them it was very difficult to find things to be able to rehearse.  Our space was also quite inconvenient as it is a lot smaller than the auditorium where we will be performing.  We also wanted to focus on linking all of the scenes as we've worked on each scene separately.  We also need to work on the procession with the amount of space provided in the auditorium.
We decided to rehearse in costume as we needed to get used to the tutus and leotards etc. We did a full run through at the beginning to see what needed the most work on.  Louis and Amelie spent a bit of time cleaning up their interaction with each other.  Silvana and Amelie helped Georgia with her entrance. We then spent a bit of time on Silvana and Seth's hunter's scene.  Then we helped Louis and Amelie with their interaction with the hunters.  I liked the idea of having Louis help Amelie down off the tree so we tried it a few times and decided to keep it.  We made the overall interaction with the hunters a bit more choreographed and into a routine.  At the end, we spent some time choreographing my movements for when I climb up the tree.  This is so much better now than how it was before.
I'm very happy with the way this rehearsal went.  The entire cast was dedicated and motivated and it really shows as to how much work we got done.  We were all sharing ideas and helping each other succeed.

05.11.19 Peter and the Wolf - Ms Trono

REHEARSAL
In this rehearsal, we tried to block the rest of the piece that we haven't been through to establish where everything will be.  We also figured out a way to catch Hugo, the wolf, with the rope.  We've decided that Louis will hold the rope on either side and then throw it around Hugo's waist.  We've also figured out how to make the stone wall.  We will get some staging blocks and then stick a stone wall wallpaper on top of it.

The footage from this rehearsal:
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22.10.19 Peter and the Wolf - Ms Trono

WARM UP
In this rehearsal we did the warm up game Chinese Whispers but with actions to get our bodies moving.  We had to use movements from the characters from Peter and the Wolf and it would go down the line until we had a movement that should have but didn't look anything like the movement at the start.  For example, I did the duck's waddle, Peter's skip and the hunter's walk.  This then had to go down the line of people in our theatre company and see how the movements turned out at the end.  Some people had a hard time recreating the movements as they required some skill, e.g. I struggled to recreate Amelie's bird motif as it was too difficult.  Some other people had a hard time to remember what movements were done.

PROCESSION
We then looked at the procession and watched some videos online to help us figure out how we want to choreograph this section.  We looked at contact improvisation for ideas on how the characters could interact with each other as there is no dialogue.  We didn't do too much physical work this
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We also looked at some procession videos.
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21.10.19 Peter and the Wolf - Ms Trono

REHEARSAL
In this rehearsal we managed to finish the blocking for our piece from before the procession.  I think that it will be a lot easier to progress with our movements and choreography now we know where we need to be and at what point in the music.  I believe I need to work on my choreography for in the tree when I'm next to the bird.  I think I need to have a more cat like movement and possibly have some interactions with the bird.  Our energy was a lot better than the last rehearsals however, I think that some people weren't in the best mood.

Example of a procession

14.10.19 Peter and the Wolf - Ms Trono

In this rehearsal, we figured out that having a thrust stage would be too difficult to perform in.  I believe if there wasn't a tree we had to "climb", a thrust stage would be possible.  We are now going to perform on the stage of the auditorium rather than the floor with the chairs pushed back.  We carried on choreographing this piece but it was quite difficult to think about the rearrangement of the stage and where the pond, tree and fence will be.  I changed my movements to make it more exaggerated which I think a younger audience will enjoy.  I also payed more attention to my music and now have choreography which works better with it.

A thrust stage

Our auditorium

07.10.19 Peter and the Wolf - Ms Trono

In this rehearsal we were beginning to choreograph the show.  We had a few difficulties such as finding ways to make it all visible to the audience as we are using a thrust stage.  We each came up with a set movement for our characters.  As the cat, mine was a stealthy walk in time with the music.  I believe I can improve on this movement to make it more interesting and entertaining for a younger audience.