07.03.2020 - FEST - Final Performance

WORKSHOP

We did a workshop in the morning with Larisa Faber.  She is a successful actress in Germany and Luxembourg.  We started off with getting our bodies moving with a quick game of Stuck in the Mud.  This was quite a good ice breaker with people we hadn't met before as we had to get quite close to them.  We all worked well as a team.  Then we did some stretches and massaged our legs and feet.  This was very soothing and well-needed.  We then started massaging our faces and stretching them out to make our jaws relaxed.  To help relax our jaw, we put our hands in front of our face and shook them with our mouth open.  We got into pairs and I went with Louis.  We then had to do an exercise where one person was the actor and the other was the director.  We had to each hold the other person's right hand with our right hand.  Then the director would move the person around how they wanted the actor to move.  For example, if the director rolled on the floor, the actor would have to roll too. We had to have a lot of trust in our pairs so we could trust that they wouldn't make us do any movement that would hurt us.  I was quite lucky as Louis and I are friends so we have trust in each other whereas some people paired up with people they didn't know.  Then we switched roles.  Then we started saying our monologues within this activity.  Louis used his fragmented monologue with James and Tristan and I used my monologue after the mirrored chair duet.  When the director would move a certain way, the actor had to try respond with their voices as well as their bodies.  For example, if I pulled Louis closer to me, he would whisper because I would be right next to him and he wouldn't need to be so loud.  Then we did the same activity without holding each other's arm.  If the director ran back super fast, the actor would have to run after them attempting to keep the same distance between them.  This was obviously a bit harder to react to as it wasn't as authentic, but when doing a piece of theatre, it won't be authentic like it's happening in real time, but we, as actors will have to portray it like it is authentic.  Larisa was very accepting of everything we did and praised moments when we felt uncomfortable or shy because we could learn off of them.  After that, we discussed what our objective was for our monologue.  It was a bit more difficult for the characters doing direct audience address, but we soon figured out an objective for why everyone was saying what they were saying.  My reason was to try get the audience to sympathise with my character.  With this new objective in mind, Larisa went round all of us and made us try and get our partner to stay interested on what we were saying and not loose interest.  Larisa wanted us to experiment entirely with absolutely everything, even if we didn't plan on using it in our piece.  There were points where we were shouting, singing, dancing and jumping around.  It was a lot of fun and gave us an entirely new perspective on things which were hilarious.

WARM UP

Once we finished the workshop, we went to go have a little break and eat.  Then we started to do our makeup and get into costume.  We then went upstairs to have a small warm up.  First we played Zip, Zap, Boing to make ourselves more energetic.  After that, we stretched our muscles and then did a speed run through.  This was to see if we knew all of our cues and it was so much fun.  Everyone was saying their lines but in double speed so it was super funny to see us all running around. 

PERFORMANCE

The performance went really considering we were all feeling very nervous.  I think the nerves properly kicked in when we were backstage and we could hear the audience coming in.  Once the music was on I think we all just got our head's in the game and went for it.  I'm glad that we had a physical theatre movement at the start as it was a comforting way to begin the play.  We were all very smooth and made sure we had eye contact so a relationship was shown through the characters.  I like that we all really committed and even though we should have thought of it earlier, we added in a few lines when we thought it would make more sense.  For example, I added that Tristan lied to me too so the audience wouldn't get confused that I'm not a bad person after all.  Although I'm very happy with the outcome, a few things could have gone better.  For example, I messed up one of my lines in the fragmented monologue between Amelie and I.  Luckily, she noticed and picked it up quite quickly.  Another thing that went wrong is that the sound cue was slightly off for our mirrored chair duet.  What made it even harder to fix was that Amelie and I had the first move but couldn't see the other person.  Luckily, Tristan and Louis could see what was going on so they made sure that we timed it perfectly.  When I was doing my scene with Tristan, I spilt the "gin" all down my arm and face.  I tried to carry on and just roll with it.  The final thing that didn't go to plan was that because the staging blocks were too far forward, I tripped on them.  Luckily, as I'm the "local drunk", this wasn't too much of a bad situation.  Overall, the audience reacted very well to this piece.  They were laughing a lot at many different things I didn't expect to get such a large reaction out of.  I'm really happy with how everyone did and the energy we kept up throughout.  I'm really proud of us for creating something so fun and amazing.

04.03.2020 - FEST - Mrs Williams

RUN THROUGH

We did a run through once we got into costumes.  As this was the first time putting on the costumes, some didn't fit or were too difficult to move in so some people have to try get some other things to wear.  We didn't do a warm up so we weren't more flexible or energised.
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NOTES 

• Didn't warm up so too tired at beginning
• Like the overlapping lines but need to look at the way they say them
• Need a transition between fragmented monologue to the mirrored chair duet
• Need to include the relationship between Jane and Dave in fragmented monologue and include Dave's jealousy
• Need the boys to react more to Meredith and Jane's monologues
• Need to show that the boys being up all night
• Then need to show the passage of time from 7am to Jane coming into the bar
• Laurent saying 'she doesn't have friends'
• Laurent and Charles need more energy in their voice
• Scene 9 and 10 need help
• Charles hair in eyes
• Could have the Brighton folk in the brother's bar - Marie planning the wedding
• Fred puts the music on because joke didn't make sense
• Need a scene between Dave telling Harry about Meredith cheating to Harry telling Meredith to get up 
• Possibly have yoga with Marie and Meredith planning wedding
• Charles react more to the speech to Marie
• Have music playing after everyone says Happy Engagement - plays - all awkward and silent with "I think I wanna marry you" playing - Fred turns it off
• Jane accents

SCENE 2-3

There isn't enough of an introduction to my character so we've decided to add in a little bit of context into the boys' fragmented monologues.  When they say "boys", Amelie and I come in and hug our significant others and James explains our relationship.  This is a good transition to scene 3.  James also suggested that we start the mirrored chair duets too soon so with this new transition, it works quite well and lets us have the music playing for a little longer.

SCENE 5

We've added in a short monologue for my character before she goes into the bar to see Dave.  This shows the passage of time as the scene before makes it appear that it's very early in the morning but this technique helps to show it's later on in the day.  I felt like my character was too much like myself so I've exaggerated an accent so that the whole characterisation is different.

WARM UP

After lunch we did an actual warm up.  First we did some solo stretching to loosen our bodies and then we got into pairs.  In these pairs, one person had to hold the other person's wrists and try to keep them away from touching their shoulders.  We then switched who was holding and who was trying to hit the shoulders.  Then we did an exercise where we had to hold hands in a circle besides one person.  That person had to try touch a specific person in the circle but everyone in the circle had to keep that person safe.  It was a lot of effort and warmed us up.

SCENE 9 

This scene is a bit lost within the plot so we've attempted to rephrase it and make it more prominent.  Then we did some improvisation with Amelie, Silvana and I to pretend we see each other for the first time in a while.  After completing that scene, it just still seemed a bit too lost so we've scrapped it and now they're going to see each other in the bar.  We had to change a few lines from the previous scene to make it work however, it's not too much.  Now it goes from Seth and Silvana's scene to a split scene of the bar, then James shows the passage of time in audience address and then Seth and Silvana being in the bar planning the party.  There isn't the meeting point now which helps.

RUN THROUGH

We then did some more run throughs to help us some more.  In this run through, we tried altering some scenes as we went along.
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24.02.20 - FEST - Ms Trono

In today's lesson with Ms Trono, we explained everything we had completed over the holidays in terms of script writing and rehearsals.  Then we all got into our separate groups to complete as much as possible.  I had in mind to fragment Amelie and my monologues but as she wasn't at the start of the lesson, I decided to help Silvana with brainstorming the set and props and Hugo with brainstorming the costumes.  This is the type of idea we came up with for the costumes.
Louis/Harry
Tristan/David
James/Fred
Hugo/Laurent
Seth/Charles
Amelie/Meredith
Emma/Jane
Silvana/Marie

22.02.20 - FEST - Mrs Williams

WARM UP

For our warm up we did some sprints from one side of the room to the other.  After a few sprints, we added in a jump in the middle of the room.  We had to run to the middle, jump, run to the end of the room, run back to the middle, jump again and then run back.  After a few times of that, we had to jump up then touch the floor and run.  Finally, after a few times of that, we did a few runs with touching the floor, then jumping, then touching the floor again.  This made us all warm and ready to work.

MIRRORED CHAIR DUET

We first started off by doing the mirrored chair duet between Louis and Amelie, and Tristan and I.  We've already learnt the choreography for this chair duet but I think Tristan and I need to practice this a lot.  We aren't confident enough yet so this really needs to be improved so that Amelie, Louis, Tristan and I are all in sync.

RUN THROUGH

After the mirrored chair duets, we did a run through of everything we had done from start to as far as we got.  This went quite well but we needed to sort out the order of the plot and our fluency from one scene to another.

PLOT CHANGES AND ORDER

We've changed the plot a bit to make the ending make more sense.  Before, we didn't have a complete understanding of what happens to our characters and it was all a bit vague.  This is the new scene order:

• Prologue
• Fred's monologue
• Bar movement involving everyone
• 3 boys fragmented monologue
• Mirrored chair duet
• Jane and Meredith's fragmented monologues
• 3 boys argument
• David and Jane plotting
• Jane planting seeds inside Harry's mind
• Swindon 5 train station 
• Meredith asking Laurent to walk her down the aisle
• Charles explaining why he doesn't want to marry Marie
• Swindon 5 train station
• Laurent, Charles and Marie talk
• Awkward bar scene - David ranting, Laurent there, Fred splits it up
• 3 boys singing Sweet Caroline - David tells Harry that Meredith is cheating
• Harry and Meredith get into fight
• See Charles and Meredith's past relationship as Charles comforts her
• David's reveal of lies about cheating - Jane breaks up with David
• Harry and Meredith happy
• Charles and Marie argue but then propose
• Laurent and Jane happy

ENDING

We finished off our rehearsal with figuring out the ending to our piece.  First, we had a scene in the bar where David needs to get through all of the people he's hurt.  We used physical theatre with round, by, through to show this.  Then once he passes Jane, Meredith and Harry, he gets to Fred at the bar and downs a pint as Jane, Meredith and Harry give him a hateful stare.  He gets another pint and sits at the edge of the stage, centre stage.  Jane, Meredith and Harry walk up to him until he's enclosed and then walk away.  After this, Fred has a monologue describing what all the characters are going through.  Then the prologue we have at the start is done again, but as an epilogue.  We are also with different characters depending on our new relationships with people.  Then, in this physical theatre movement with lifts and round, by, through, we find a good position to freeze in to show the relationship between the characters.  After that, we all come together to do a bow.

12.02.20 - FEST - Mrs Williams

MOVEMENT SEQUENCE AND CHAIR DUET

We created a movement sequence for the opening bar scene.  We got into pairs which would work the most realistically.  I went with James because even though I start dating Tristan, we hadn't met at this point and that is what happens in this scene.  The other pairs were Louis and Tristan, Amelie and Silvana and Hugo and Seth.  Within the pairs, we had to create a set of movements to a count of 8 so that we could put it in a loop.  For example, with James and I, my counts were, grab the beer glass, take a glug, cheer, slam it down and slide it to James.  James had the same amount of beats as I did but he was being a bar tender so cleaning the glasses and filling them up with beer.  James and I slid the glasses at the same time so the other person caught it.  I also had to play drunk as I drink more and more.  I came into the scene first, then Louis and Tristan, then Amelie and Silvana and finally Hugo and Seth.  Every time the pairs went up to the bar, I had to interact with the partners.  When the boys came, I had to try flirt with them and when the girls came, I tried to dance with them.  After the 3 pairs came up to the bar, Tristan came back up and I did a chair duet with him.  This was to show how we met.  We wanted to make the chair duet look as fresh as possible with a real connection.  One way we showed this was through having our faces extremely close together.  It was quite difficult to make this chair duet as we weren't on staging blocks.
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For this scene, we used the song Friday I'm In Love by The Cure as a stimulus.  We liked the fun atmosphere it brought out of the characters and the scene.
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After this scene it goes straight into a scene between Tristan, Louis and James where they have an argument.

PROLOGUE

We decided that it would be best to change the characters around a bit so Tristan was now playing David instead of Hugo and now Hugo was playing Jeff (now changed to Laurent), Meredith's sister.  The prologue we started with now didn't work with the new story line so we had to change some things round a bit.  I stayed the same but now had to teach Tristan the choreography that Hugo had previously.  After that, we went into the bar scene we created this morning and fragmented monologues between Tristan, Louis and Harry.

SWINDON 5

Then we created a Swindon 5 piece to portray the train station when Laurent goes to see Meredith in London.  It started off very choreographed so everyone was evenly spaced apart and we didn't have specific characters, it was more neutral.  Then after testing the waters we gave ourselves specific characters.  I was an old lady so I also walked very slowly and people overtook me.  We also added the specific places so it didn't look as if we were walking around aimlessly.  We had a cafe downstage left, the departure board downstage right and the platform upstage left.

FULL RUN THROUGH

At the end we had a full run through of the material we had so far and it worked out really well.  We also timed it to see how much content we had and it came to around 15 minutes.  This was a lot better than what we were expecting.  I think we're all a lot more motivated and excited.

08.02.20 - FEST - Mrs Williams

WARM UP

For our warm up, we played Zip Zap Boing to get our brains working and our bodies moving.  We started very early and a lot of us were very tired so this helped.

NEW STORY LINE

James then introduced a new story line which is closer to our original stimulus, the play Art.  He has replaced the plain white canvas with Meredith.  It starts with three friends from university, like Art, and one of the friends doesn't like Meredith and the other is more of a people pleaser but also wants to keep everyone together.

IMPROVISATION

Louis, Tristan and James tried to improvise a fragmented monologue.  It started off strong and effective but I think it started to go downhill as there was no proper aim for what they wanted to.

FRAGMENTED MONOLOGUES

Louis, Tristan and James went to write their fragmented monologue.  They started with writing their own monologues and then finding places where they link so they could fragment it.  It worked so much more after they did this.  They included some choral speaking which was really effective and I also liked the touch of dialogue when James described something that happened in the past and Louis acted it out.

NEW STORY LINE

There were still some aspects of the story line that we thought needed improving so Amelie, Seth, Silvana and I worked on completing it.

London

• 3 friends - Harry, Fred and David - friends from university
• Harry meets Meredith and they fall in love
• David gets mad and thinks that Meredith has taken Harry away from the friend group
• David and Harry almost get in a fight but Fred calms them down
• David then meets Jane
• Everyone is a happy family again
• Harry proposes to Meredith
• She then suggests moving to Hawaii and Harry thinks it's a great idea
• David and Jane act like they're happy
• Behind Harry and Meredith's backs, they plan to split them up

Brighton

• Meredith's brother, Jeff, his roommate, Charles and Charles' girlfriend Marie
• Charles suggests that they all move in together when they go to London
• They all agree
• Jeff goes house hunting 
• Jeff finds a place but they can't move in for a couple weeks / a month
• Jeff calls his sister Meredith and asks if the three of them could live with her and Harry
• Meredith says yes

London

• Marie gets angry because Jeff and Charles are messy
• Jeff overhears Jane and David plotting to split up Meredith and Harry
• Their plan is to tell Harry that Meredith is cheating on him with Fred
• Jeff tells Meredith that they're plotting something and she doesn't believe him
• Jeff tells Charles and Marie
• Marie then tells Jane that she shouldn't do it and she agrees 
• Jane goes to David and says they shouldn't carry on 
• David says they should break up if she doesn't want to carry on
• They break up
• David tells Harry anyway
• Harry believes Jane and David and Meredith gets annoyed that his friends aren't nice so they break up
• Jeff talks to Fred and tells Fred to talk to Harry whilst Jeff talks to Meredith
• Meredith tells Jeff that Harry thinks that she cheated on him with Fred
• Jeff runs to stop the fight between Harry and Fred
• Jeff says that Fred couldn't have gotten with Meredith because he is gay 
• Fred says he isn't gay and Jeff is confused
• Harry and Meredith understand the misunderstanding
• They get back together
• Jane and Marie are best friends
• All is good