07.03.2020 - FEST - Final Performance

WORKSHOP

We did a workshop in the morning with Larisa Faber.  She is a successful actress in Germany and Luxembourg.  We started off with getting our bodies moving with a quick game of Stuck in the Mud.  This was quite a good ice breaker with people we hadn't met before as we had to get quite close to them.  We all worked well as a team.  Then we did some stretches and massaged our legs and feet.  This was very soothing and well-needed.  We then started massaging our faces and stretching them out to make our jaws relaxed.  To help relax our jaw, we put our hands in front of our face and shook them with our mouth open.  We got into pairs and I went with Louis.  We then had to do an exercise where one person was the actor and the other was the director.  We had to each hold the other person's right hand with our right hand.  Then the director would move the person around how they wanted the actor to move.  For example, if the director rolled on the floor, the actor would have to roll too. We had to have a lot of trust in our pairs so we could trust that they wouldn't make us do any movement that would hurt us.  I was quite lucky as Louis and I are friends so we have trust in each other whereas some people paired up with people they didn't know.  Then we switched roles.  Then we started saying our monologues within this activity.  Louis used his fragmented monologue with James and Tristan and I used my monologue after the mirrored chair duet.  When the director would move a certain way, the actor had to try respond with their voices as well as their bodies.  For example, if I pulled Louis closer to me, he would whisper because I would be right next to him and he wouldn't need to be so loud.  Then we did the same activity without holding each other's arm.  If the director ran back super fast, the actor would have to run after them attempting to keep the same distance between them.  This was obviously a bit harder to react to as it wasn't as authentic, but when doing a piece of theatre, it won't be authentic like it's happening in real time, but we, as actors will have to portray it like it is authentic.  Larisa was very accepting of everything we did and praised moments when we felt uncomfortable or shy because we could learn off of them.  After that, we discussed what our objective was for our monologue.  It was a bit more difficult for the characters doing direct audience address, but we soon figured out an objective for why everyone was saying what they were saying.  My reason was to try get the audience to sympathise with my character.  With this new objective in mind, Larisa went round all of us and made us try and get our partner to stay interested on what we were saying and not loose interest.  Larisa wanted us to experiment entirely with absolutely everything, even if we didn't plan on using it in our piece.  There were points where we were shouting, singing, dancing and jumping around.  It was a lot of fun and gave us an entirely new perspective on things which were hilarious.

WARM UP

Once we finished the workshop, we went to go have a little break and eat.  Then we started to do our makeup and get into costume.  We then went upstairs to have a small warm up.  First we played Zip, Zap, Boing to make ourselves more energetic.  After that, we stretched our muscles and then did a speed run through.  This was to see if we knew all of our cues and it was so much fun.  Everyone was saying their lines but in double speed so it was super funny to see us all running around. 

PERFORMANCE

The performance went really considering we were all feeling very nervous.  I think the nerves properly kicked in when we were backstage and we could hear the audience coming in.  Once the music was on I think we all just got our head's in the game and went for it.  I'm glad that we had a physical theatre movement at the start as it was a comforting way to begin the play.  We were all very smooth and made sure we had eye contact so a relationship was shown through the characters.  I like that we all really committed and even though we should have thought of it earlier, we added in a few lines when we thought it would make more sense.  For example, I added that Tristan lied to me too so the audience wouldn't get confused that I'm not a bad person after all.  Although I'm very happy with the outcome, a few things could have gone better.  For example, I messed up one of my lines in the fragmented monologue between Amelie and I.  Luckily, she noticed and picked it up quite quickly.  Another thing that went wrong is that the sound cue was slightly off for our mirrored chair duet.  What made it even harder to fix was that Amelie and I had the first move but couldn't see the other person.  Luckily, Tristan and Louis could see what was going on so they made sure that we timed it perfectly.  When I was doing my scene with Tristan, I spilt the "gin" all down my arm and face.  I tried to carry on and just roll with it.  The final thing that didn't go to plan was that because the staging blocks were too far forward, I tripped on them.  Luckily, as I'm the "local drunk", this wasn't too much of a bad situation.  Overall, the audience reacted very well to this piece.  They were laughing a lot at many different things I didn't expect to get such a large reaction out of.  I'm really happy with how everyone did and the energy we kept up throughout.  I'm really proud of us for creating something so fun and amazing.

25.02.2020 - FEST - Ms Trono

WARM UP

We started out by playing a game called Samurai.  This made us really concentrate on the movements that the other group were doing which helped us get in the mood for rehearsals to properly concentrate.

RUN THROUGH

We tried to run through the scenes we had but a lot of us got confused because of the new plot changes and where the scenes were placed.  After clearing up the order of the scenes, we were able to do a second run-through that went much smoother and motivated us again.

SCRIPTING

Amelie then went ahead and scripted the whole piece to make it a lot easier for us all.  She left some scenes in red that she didn't know exactly what happened within them so I tried filling out as many of those as possible.

22.02.20 - FEST - Mrs Williams

WARM UP

For our warm up we did some sprints from one side of the room to the other.  After a few sprints, we added in a jump in the middle of the room.  We had to run to the middle, jump, run to the end of the room, run back to the middle, jump again and then run back.  After a few times of that, we had to jump up then touch the floor and run.  Finally, after a few times of that, we did a few runs with touching the floor, then jumping, then touching the floor again.  This made us all warm and ready to work.

MIRRORED CHAIR DUET

We first started off by doing the mirrored chair duet between Louis and Amelie, and Tristan and I.  We've already learnt the choreography for this chair duet but I think Tristan and I need to practice this a lot.  We aren't confident enough yet so this really needs to be improved so that Amelie, Louis, Tristan and I are all in sync.

RUN THROUGH

After the mirrored chair duets, we did a run through of everything we had done from start to as far as we got.  This went quite well but we needed to sort out the order of the plot and our fluency from one scene to another.

PLOT CHANGES AND ORDER

We've changed the plot a bit to make the ending make more sense.  Before, we didn't have a complete understanding of what happens to our characters and it was all a bit vague.  This is the new scene order:

• Prologue
• Fred's monologue
• Bar movement involving everyone
• 3 boys fragmented monologue
• Mirrored chair duet
• Jane and Meredith's fragmented monologues
• 3 boys argument
• David and Jane plotting
• Jane planting seeds inside Harry's mind
• Swindon 5 train station 
• Meredith asking Laurent to walk her down the aisle
• Charles explaining why he doesn't want to marry Marie
• Swindon 5 train station
• Laurent, Charles and Marie talk
• Awkward bar scene - David ranting, Laurent there, Fred splits it up
• 3 boys singing Sweet Caroline - David tells Harry that Meredith is cheating
• Harry and Meredith get into fight
• See Charles and Meredith's past relationship as Charles comforts her
• David's reveal of lies about cheating - Jane breaks up with David
• Harry and Meredith happy
• Charles and Marie argue but then propose
• Laurent and Jane happy

ENDING

We finished off our rehearsal with figuring out the ending to our piece.  First, we had a scene in the bar where David needs to get through all of the people he's hurt.  We used physical theatre with round, by, through to show this.  Then once he passes Jane, Meredith and Harry, he gets to Fred at the bar and downs a pint as Jane, Meredith and Harry give him a hateful stare.  He gets another pint and sits at the edge of the stage, centre stage.  Jane, Meredith and Harry walk up to him until he's enclosed and then walk away.  After this, Fred has a monologue describing what all the characters are going through.  Then the prologue we have at the start is done again, but as an epilogue.  We are also with different characters depending on our new relationships with people.  Then, in this physical theatre movement with lifts and round, by, through, we find a good position to freeze in to show the relationship between the characters.  After that, we all come together to do a bow.

12.02.20 - FEST - Mrs Williams

MOVEMENT SEQUENCE AND CHAIR DUET

We created a movement sequence for the opening bar scene.  We got into pairs which would work the most realistically.  I went with James because even though I start dating Tristan, we hadn't met at this point and that is what happens in this scene.  The other pairs were Louis and Tristan, Amelie and Silvana and Hugo and Seth.  Within the pairs, we had to create a set of movements to a count of 8 so that we could put it in a loop.  For example, with James and I, my counts were, grab the beer glass, take a glug, cheer, slam it down and slide it to James.  James had the same amount of beats as I did but he was being a bar tender so cleaning the glasses and filling them up with beer.  James and I slid the glasses at the same time so the other person caught it.  I also had to play drunk as I drink more and more.  I came into the scene first, then Louis and Tristan, then Amelie and Silvana and finally Hugo and Seth.  Every time the pairs went up to the bar, I had to interact with the partners.  When the boys came, I had to try flirt with them and when the girls came, I tried to dance with them.  After the 3 pairs came up to the bar, Tristan came back up and I did a chair duet with him.  This was to show how we met.  We wanted to make the chair duet look as fresh as possible with a real connection.  One way we showed this was through having our faces extremely close together.  It was quite difficult to make this chair duet as we weren't on staging blocks.
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For this scene, we used the song Friday I'm In Love by The Cure as a stimulus.  We liked the fun atmosphere it brought out of the characters and the scene.
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After this scene it goes straight into a scene between Tristan, Louis and James where they have an argument.

PROLOGUE

We decided that it would be best to change the characters around a bit so Tristan was now playing David instead of Hugo and now Hugo was playing Jeff (now changed to Laurent), Meredith's sister.  The prologue we started with now didn't work with the new story line so we had to change some things round a bit.  I stayed the same but now had to teach Tristan the choreography that Hugo had previously.  After that, we went into the bar scene we created this morning and fragmented monologues between Tristan, Louis and Harry.

SWINDON 5

Then we created a Swindon 5 piece to portray the train station when Laurent goes to see Meredith in London.  It started off very choreographed so everyone was evenly spaced apart and we didn't have specific characters, it was more neutral.  Then after testing the waters we gave ourselves specific characters.  I was an old lady so I also walked very slowly and people overtook me.  We also added the specific places so it didn't look as if we were walking around aimlessly.  We had a cafe downstage left, the departure board downstage right and the platform upstage left.

FULL RUN THROUGH

At the end we had a full run through of the material we had so far and it worked out really well.  We also timed it to see how much content we had and it came to around 15 minutes.  This was a lot better than what we were expecting.  I think we're all a lot more motivated and excited.

05.02.20 - FEST - Mrs Williams

WARM UP

We did a massive warm up with the another year group.  We started off by doing the game samurai which is about concentration.  The class splits into two groups and there is a leader for each group.  The leader then does a movement which the other team has to reply with another movement that correlates.  If the leader punches, the other team must cross their arms.  If the leader kicks, the other team must jump.  If the leader claps, the other team has to spin.  If the leader moves their arm either way, the other team must move in the direction of his arm.  If the leader puts his hand up, the other team must squat.  We then did another warm up which was to move around the space until the teacher said something and then we did what they said.  When the teacher said to clear the space, we had to run to the closest wall.  If they said opposite, we would have to sprint to the other wall.  If they said shell, we had to curl into a ball on the floor.  If they said sprawl, we had to have 3 points of contact on the floor.  If they said neutral, we had to stand in a neutral position and if they said favourite we had to point to a specific point in the room.  Then the teacher played Bohemian Rhapsody and we had to sing throughout the activities.  It warmed us all up and motivated us.

PLOT POINTS

Louis gave us some more plot points which were very useful and gave us a great place to start from when creating the other story lines.  He created a story for Silvana, Seth, Hugo and my characters.  Some of the points he thought of were that Hugo and I are in a relationship but Hugo spends all of our rent money on clothes etc. and then we get evicted so he tries to get us to live with his brother but my character and his brother don't get along at all so I say that I don't want to live with him.  I then go and live with my sister and then when we're more stable I want to get another apartment with Hugo but he's more interested in the rich life with his brother.  We then break up and then I realise how great life is being single and then Hugo wants me back.  We then both realise that we're better off without each other.

IMPROVISATION

We tried to do an improvisation of the bar scene like our Party Quirks exercise in the improvisation unit.  This was to show us going in a bar and meeting some of the people.  We each had objectives for our characters.  My objective was to somehow portray that I had slept with the barman who was Silvana's ex.  I found it quite difficult to show it without straight up saying it.  We then decided to dissect this scene into two different ones as there were too many conversations going on at once.  One of the scenes was focused on my character and her sister Silvana and the bartender.  Silvana and I already knew our objective but James didn't so we tried to show him through the scene.  I started off quite slow but then figured out ways to portray it in a comedic way.  The second scene was Tristan, Louis and Amelie.  Tristan's objective was to get in between Louis and Amelie.  Yet again it was quite slow to begin with but then they came up with some great ideas.  We then improvised some more scenes related to Louis' ideas about Jane and David.  We improvised the scene between Jane and David (played by Louis today because Hugo wasn't here) about when he tells her that they're getting evicted.  After a couple of tries with different ideas, this turned out quite well.  We then did the scene between Jane and Marie which went well so we decided it would be best to script it, and then the final discussion between David and Jeffery.  We thought that it would be best to keep these scenes quite short as there is no need to waste time just to get an easy message across.

SCRIPT

Jane and Marie discussion

*Jane and Marie sitting down*
Jane - Ugh! David!
Marie - What's he done this time?
Jane - Blown all our money.
Marie - *Gasps* On what?
Jane - Clothes and shoes.
Marie - He's so stupid.
Jane - But guess what's even better?
Marie - What?
Jane - He couldn't pay our rent and now we're evicted.
Marie - I told you he was bad news.  Why do you never listen to me?  Didn't I tell you?  Huh?  I'm always right and you never listen.
*Silence*
Marie - So where are you planning on living then?
Jane - Yours?

WARM UP

For our afternoon warm up, we did something quite similar to this morning with the teacher giving us instructions but this time, when "favourite" was called, we had to point at James and he had to face the audience in neutral.  Then pointing just went to looking at him.  We did this with a few other people as well to see which looked most powerful.  I think that it looked most powerful with James.  We also did a game where we all held hands and one person stood in the middle of this circle and then one person on the outside had to try touch the person on the inside but the people holding hands had to try protect that person.

FREEZE FRAMES

We then did some freeze frames.  The first one was of the bar scene which everyone was involved in.  The other freeze frames didn't involve everyone so the other people just pointed at the scene.  Then we made another set of freeze frames for the second plot line in which the first freeze frame was the same.  We then tried to come up with a third plot line / freeze frames for the barman.

RUN THROUGH

We then did a run through which was difficult for my character as Hugo wasn't here so I did the movements at the start by myself.  The rest of it went well and it was helpful to see where we were at.

IMPROVISATION

We did some improvisation for the scenes involving Frederick, Charles, Meredith and Harry.  The rest of us did some script writing and compiled it all in one word document.

04.02.20 - FEST - Ms Trono

WARM UP

For the warm up we did the same game as yesterday with the numbers and actions in groups.  There were a lot more people in todays lesson so at the end we joined into one big group which made it easier to think about what comes next but the flow isn't as good.  We also did some stretching to get our bodies moving.

MOVEMENT

Our movement at the end of the yoga scene is quite good but we thought it should be a little bit longer.  We decided to add the Swindon 5 by Frantic Assembly at the end.  Once Louis gets into the position to propose to Amelie, the rest of us do a Swindon 5 through them with the objective to not let them hold hands.  We also wanted to add another layer to this, so every time Hugo and I walk past each other, we hold the eye contact to portray the relationship.

IMPROVISATION

Then to come up with more ideas, we improvised the scene where David and Jane meet for the first time at the bar.  We gave each character objectives to portray in the scene.  Silvana's objective was to stick with me because she doesn't like being alone in big crowds, my objective was to speak to Hugo (played by Louis in this scene as Hugo wasn't there) and Hugo's objective was to just dance and have a good time.  There were a few good points in this scene but we think that this was more of a character development instead of an actual scene to use.

20.01.20 - FEST - Ms Trono

In this lesson, we spent a bit of time going over everything we had previously done.  We then rehearsed the loyalty choreography we made from last lesson and performed it to the group.  After that, we discussed the points of which group we liked.

Seth and Hugo

• They made the storyline very clear
• Their clamp lift was smooth

Louis and James

• Their round, by, through was really smooth and effective
• They incorporated the chair duets and lift well

Amelie, Silvana and Emma

• Our hip lift looked very effortless
• The chair duet showed the theme of loyalty

16.12.19 - Peter and the Wolf - Ms Trono

WARM UP
Today was our first rehearsal from 6-9pm.  This was quite challenging as I'm not used to rehearsing this late but I had quite a fun time.  For our warm up, we were introduced to a workout to a song:
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When the song said "bring Sally up" we had to stand and when it said "bring Sally down" we had to squat.  Mr Lemon made sure we were in the proper form.  This was so difficult for me as I'm not very physically fit.  Ms Trono told me that a part of being an actor is having that physical ability and strength so I will be doing more exercise in order to increase my fitness and stamina.

REHEARSAL
We found out today that Georgia has been in quite a serious accident which means she is unable to do the show so Silvana had to step up to her role.  As Silvana had to take on Georgia's role in a previous rehearsal where Georgia didn't show up, she was already very familiar with the choreography which was helpful.  Silvana really embraced the duck role and accepted the stress, hard work and dedication that came with it.  For this rehearsal, we spent a bit of time helping Silvana with her new role and did our first full run through with costume.  This run through wasn't as smooth as the one yesterday which we were quite upset about as we wanted to prove how hard we worked on Sunday.  After the first run through, our morale was pretty low because we were annoyed with ourselves but we didn't let it stop us.

12.12.19 - Peter and the Wolf - Ms Trono

REHEARSAL
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In this rehearsal, the wolf character came back from time off so we spent most of the lesson helping him with his blocking, choreography and making his movements larger and more exciting.  As our play is directed at young children, we need the characters to have over-the-top and large movements to keep them excited and interested.  We helped Hugo with this and made his body language more extreme.  It looked much better by the end of it.  We also decided to play with the music a bit and have Hugo move in time with it.  Most of his music is slow and eerie but there is one part in this section where his music becomes quite a fast beat.  We made Hugo walk in time to the music to make it more interesting for the audience.  The cast was quite distracted and out of it today, however, Hugo carried on throughout.

09.12.19 - Peter and the Wolf - Ms Trono

REHEARSAL
In this rehearsal, we covered the movements from the duck coming out of the pond and then getting eaten by the wolf up until the procession.  There was a bit of confusion as to why the duck was getting out of the pond in the first place, but now Georgia understands her character's motif and it's smoother.  She thought that she was getting out of the pond because she was scared of the wolf, but now her objective is to instinctively fight the wolf, then realises how scary he is and runs away.  I think we need to fix the section after the duck gets eaten as the wolf isn't doing much and it's a bit boring, especially for a young audience.  I think the rehearsal, despite the little working space we had, went quite well as the cast was more lively and energetic today.

Wolf chasing duck