06.03.2020 - FEST - Mrs Williams

WARM UP

We started by having a little group warm up with the drama group from the year above.  We did some body and voice warm ups.  For the body warm ups we did some stretching.  For the voice warm ups, we did the sing sirens and uh-oh's.

SFX AND LFX CUES

We then started sorting out the lighting and sound cues.  First we had to sort out the script as although we knew what was going on, the script didn't have precisely what we were doing.  If the sound and lighting technicians saw the script, they would be quite confused over what cue goes where.  Once that was sorted out, Louis and I went to go find the music we were using to put on a USB stick.  The music we were previously using was on Spotify so we needed to find versions to download.  We were very lucky in finding all of the songs quite quickly.  We did have to make some alterations with the timings of the audio but it all went smoothly.

VENUE

We then went to the Mierscher Kulturhaus which was the venue we were going to perform at.  We got a little tour of the venue including the backstage and the stage.

SOUND AND TECHNICAL REHEARSAL

We spent an hour doing a sound and tech rehearsal.  This was very helpful to see the size of the stage considering it is a lot bigger than what we've been used to.  There was one issue that arose which was that the lights were bit more forward than we were expecting.  This meant that the staging blocks had to be further forward than we were used to leaving us not a lot of space in the front.  We all acted very professional during this sound and technical rehearsal and we overcame problems together as a group.  Another big type of difference is the fact that we had to project our voices throughout the room.  There are many more seats and the venue is a lot larger so we need to make sure everyone will be able to hear clearly.  We were told that we need to watch out for the floor mics as they are very expensive and we will break them if we stand on them.  We also taped down where our set is going to be in the performance.  We eventually chose a song to play during the bows which was Sweet Caroline as it is very wholesome and will make the audience feel happy hopefully.

REHEARSAL

We then spent some time fixing the middle scenes when Hugo enters as the energy seems to drop.  The beginning and end have high energy but then middle just needs a little boost.  Once that was fixed we decided to do a speed run-through for a bit of fun and to make sure we all knew the lines and our cues. 

PERFORMANCES

Amelie, Silvana and I stayed after this to watch some of the performances in the festival.  The first one we watched was not my favourite, to be honest.  Some of the actors were very quiet which was probably due to nerves and opening the entire festival which reminded us we need to really be louder than we think.  The second show was more to my taste and everyone seemed to be quite excited especially the main character played by a girl named Marta.

Dealing with Clair

PLOT/THEMES

• Clair, a real estate agent, is helping the couple, Mike and Liz, sell their house.  They ask Clair to accept the first offer.  A perfectly good offer is made, however, then a potential buyer, James, enters the scene and offers a higher bid.  All ethical notions go out of the window and Clair is stuck in the middle of the couple's double dealings and receives too much male attention from both the buyer and seller.

STRUCTURE

• Non-linear - The story wasn't in chronological order from what I saw.  It was quite hard to tell as there appeared to be 2 story-lines, however some points seemed to be as if these 2 story-lines were happening at the same time, like when the Italian girl and the investigator wire up the house to hear all conversations going on in the house.  At the end there was a jump in time from when Clair appears to be dying on the floor to when Mike and Liz get another estate agent to help them sell the house.
• 2 narrative story-lines - What occurs within Mike and Liz's house and the investigator.
• Dramatic irony (audience knows outcome but characters don't) - There are a few lines during Clair's phone call that signify something will happen and then this is anchored by the unwanted male attention from the buyer and seller of the house.  There is also a very poignant part when Liz says to her husband that he would "rape" Clair.  Even though the husband isn't the one to kidnap her or rape her or whatever happens at the end, it still foreshadows events.

SIGNIFICANT MOMENTS

• Clair's phone call - seems to be studied by investigator and foreshadows events later on - also sets mood and tone for play as eerie and ominous.
• The Italian girl's Italy call - find out she's involved in the investigation.
• Mike and James giving Clair too much attention - foreshadows events later on in play.
• James and Clair playing snap - clearly unprofessional and they both know it - finally seems like a tipping point which it is.
• James on the phone - see Clair on the floor barely moving - find out what happened to her.

ACTING / MOVEMENT

• The set was a model village with a room behind it and a walkway on top of the room.
• The actors would use the model village space as if it was a room in a house and interact with the model houses as if they were seats, rooms and props.
• The first scene, containing Clair's phone call had interesting movement as it portrayed a passing of time.
• The proxemics of the character revealed a lot without having to explicitly say - for example, James and Mike would get very close to Clair indicating their interest in her.

TECHNICAL DESIGN

• As I said before, they had a model village which they used as if it was furniture and seats etc in a house.  
• The stairs to the bridge were used as part of the house and underneath that was the investigators room.
• There were also model trains behind the wall upstage to signify Clair's house by the railway. 
• Most of the time there was quite a plain white lighting, however, right before the very end, all the lights went off and there were people in masks with torches on stage and walking around in the audience to make it more interactive. 
• Liz's shoes were set in a parking lot of the model village as if they were parked there but she changed her footwear when getting changed for James to come over.  Clair wore 3 outfits, a towel, blazer and skirt and blazer with trousers.  The investigator wore a plumber's outfit as a disguise to get into the house.