WARM UP
We started out by playing a game called Samurai. This made us really concentrate on the movements that the other group were doing which helped us get in the mood for rehearsals to properly concentrate.
RUN THROUGH
We tried to run through the scenes we had but a lot of us got confused because of the new plot changes and where the scenes were placed. After clearing up the order of the scenes, we were able to do a second run-through that went much smoother and motivated us again.
SCRIPTING
Amelie then went ahead and scripted the whole piece to make it a lot easier for us all. She left some scenes in red that she didn't know exactly what happened within them so I tried filling out as many of those as possible.
Tuesday, 25 February 2020
Monday, 24 February 2020
24.02.20 - FEST - Ms Trono
In today's lesson with Ms Trono, we explained everything we had completed over the holidays in terms of script writing and rehearsals. Then we all got into our separate groups to complete as much as possible. I had in mind to fragment Amelie and my monologues but as she wasn't at the start of the lesson, I decided to help Silvana with brainstorming the set and props and Hugo with brainstorming the costumes. This is the type of idea we came up with for the costumes.
Louis/Harry
Tristan/David
James/Fred
Hugo/Laurent
Seth/Charles
Amelie/Meredith
Emma/Jane
Silvana/Marie
Louis/Harry
Tristan/David
James/Fred
Hugo/Laurent
Seth/Charles
Amelie/Meredith
Emma/Jane
Silvana/Marie
Saturday, 22 February 2020
22.02.20 - FEST - Mrs Williams
WARM UP
For our warm up we did some sprints from one side of the room to the other. After a few sprints, we added in a jump in the middle of the room. We had to run to the middle, jump, run to the end of the room, run back to the middle, jump again and then run back. After a few times of that, we had to jump up then touch the floor and run. Finally, after a few times of that, we did a few runs with touching the floor, then jumping, then touching the floor again. This made us all warm and ready to work.
MIRRORED CHAIR DUET
We first started off by doing the mirrored chair duet between Louis and Amelie, and Tristan and I. We've already learnt the choreography for this chair duet but I think Tristan and I need to practice this a lot. We aren't confident enough yet so this really needs to be improved so that Amelie, Louis, Tristan and I are all in sync.
RUN THROUGH
After the mirrored chair duets, we did a run through of everything we had done from start to as far as we got. This went quite well but we needed to sort out the order of the plot and our fluency from one scene to another.
PLOT CHANGES AND ORDER
We've changed the plot a bit to make the ending make more sense. Before, we didn't have a complete understanding of what happens to our characters and it was all a bit vague. This is the new scene order:
ENDING
We finished off our rehearsal with figuring out the ending to our piece. First, we had a scene in the bar where David needs to get through all of the people he's hurt. We used physical theatre with round, by, through to show this. Then once he passes Jane, Meredith and Harry, he gets to Fred at the bar and downs a pint as Jane, Meredith and Harry give him a hateful stare. He gets another pint and sits at the edge of the stage, centre stage. Jane, Meredith and Harry walk up to him until he's enclosed and then walk away. After this, Fred has a monologue describing what all the characters are going through. Then the prologue we have at the start is done again, but as an epilogue. We are also with different characters depending on our new relationships with people. Then, in this physical theatre movement with lifts and round, by, through, we find a good position to freeze in to show the relationship between the characters. After that, we all come together to do a bow.
For our warm up we did some sprints from one side of the room to the other. After a few sprints, we added in a jump in the middle of the room. We had to run to the middle, jump, run to the end of the room, run back to the middle, jump again and then run back. After a few times of that, we had to jump up then touch the floor and run. Finally, after a few times of that, we did a few runs with touching the floor, then jumping, then touching the floor again. This made us all warm and ready to work.
MIRRORED CHAIR DUET
We first started off by doing the mirrored chair duet between Louis and Amelie, and Tristan and I. We've already learnt the choreography for this chair duet but I think Tristan and I need to practice this a lot. We aren't confident enough yet so this really needs to be improved so that Amelie, Louis, Tristan and I are all in sync.
RUN THROUGH
After the mirrored chair duets, we did a run through of everything we had done from start to as far as we got. This went quite well but we needed to sort out the order of the plot and our fluency from one scene to another.
PLOT CHANGES AND ORDER
We've changed the plot a bit to make the ending make more sense. Before, we didn't have a complete understanding of what happens to our characters and it was all a bit vague. This is the new scene order:
- Prologue
- Fred's monologue
- Bar movement involving everyone
- 3 boys fragmented monologue
- Mirrored chair duet
- Jane and Meredith's fragmented monologues
- 3 boys argument
- David and Jane plotting
- Jane planting seeds inside Harry's mind
- Swindon 5 train station
- Meredith asking Laurent to walk her down the aisle
- Charles explaining why he doesn't want to marry Marie
- Swindon 5 train station
- Laurent, Charles and Marie talk
- Awkward bar scene - David ranting, Laurent there, Fred splits it up
- 3 boys singing Sweet Caroline - David tells Harry that Meredith is cheating
- Harry and Meredith get into fight
- See Charles and Meredith's past relationship as Charles comforts her
- David's reveal of lies about cheating - Jane breaks up with David
- Harry and Meredith happy
- Charles and Marie argue but then propose
- Laurent and Jane happy
ENDING
We finished off our rehearsal with figuring out the ending to our piece. First, we had a scene in the bar where David needs to get through all of the people he's hurt. We used physical theatre with round, by, through to show this. Then once he passes Jane, Meredith and Harry, he gets to Fred at the bar and downs a pint as Jane, Meredith and Harry give him a hateful stare. He gets another pint and sits at the edge of the stage, centre stage. Jane, Meredith and Harry walk up to him until he's enclosed and then walk away. After this, Fred has a monologue describing what all the characters are going through. Then the prologue we have at the start is done again, but as an epilogue. We are also with different characters depending on our new relationships with people. Then, in this physical theatre movement with lifts and round, by, through, we find a good position to freeze in to show the relationship between the characters. After that, we all come together to do a bow.
Saturday, 15 February 2020
15.02.20 - FEST - Mrs Williams
WARM UP
For the warm up, we joined with the LAMDA drama group and did a jumping exercise. We stood in three rows all facing the front. The first row had to jump 8 times and on the 8th, face the other way. The second row had the then jump 8 times and on the 8th, face the other way. Then the 3rd row had to do the same but once they jumped to face the other way, they had to jump 6 more times and on the 6th go the other way. This carries on going down the line from 8 to 6 to 4 to 2 to 1. It took a lot of concentration as well, so both our bodies and minds were warming up. The next exercise was called "Should Have Said". We got into pairs and had to tell the other person about our morning. Every time the person listening thought it was boring, they would say "should have said" so the first person would have to change the last thing they said to something more exciting until the stories became wacky.
CHAIR DUET
Louis and Amelie decided to use their chair duet but include Tristan and I to show the relationship between us as well. We thought it would be cool to have the chair duet mirrored. It was very fun but quite difficult to learn. We will need to practice quite a lot to remember all of the moves smoothly and also get in time with Louis and Amelie.
...
...
For the warm up, we joined with the LAMDA drama group and did a jumping exercise. We stood in three rows all facing the front. The first row had to jump 8 times and on the 8th, face the other way. The second row had the then jump 8 times and on the 8th, face the other way. Then the 3rd row had to do the same but once they jumped to face the other way, they had to jump 6 more times and on the 6th go the other way. This carries on going down the line from 8 to 6 to 4 to 2 to 1. It took a lot of concentration as well, so both our bodies and minds were warming up. The next exercise was called "Should Have Said". We got into pairs and had to tell the other person about our morning. Every time the person listening thought it was boring, they would say "should have said" so the first person would have to change the last thing they said to something more exciting until the stories became wacky.
CHAIR DUET
Louis and Amelie decided to use their chair duet but include Tristan and I to show the relationship between us as well. We thought it would be cool to have the chair duet mirrored. It was very fun but quite difficult to learn. We will need to practice quite a lot to remember all of the moves smoothly and also get in time with Louis and Amelie.
...
...
Thursday, 13 February 2020
13.02.20 - FEST - Ms Trono
Today's rehearsal was quite short due to the parents evening. This also meant that there weren't many people available. I spent this rehearsal helping Silvana and Hugo with their monologues. For Silvana's, she was talking about how her boyfriend doesn't want to propose to her. We made it quite comedic with excessive details on her dream dress for example. Hugo's monologue was about the conflict within himself as he doesn't know if he should tell Amelie that her friends were talking about her behind her back. We also helped come up with some ideas for Amelie and Louis' break up scene. I think the easiest way to show the lack of trust would be through a chair duet but we already have quite a lot of those so they decided to try something different like round, by, through. We all came up with that they both still loved each other but lost that lack of trust, so they attract and then repel.
Wednesday, 12 February 2020
12.02.20 - FEST - Mrs Williams
MOVEMENT SEQUENCE AND CHAIR DUET
We created a movement sequence for the opening bar scene. We got into pairs which would work the most realistically. I went with James because even though I start dating Tristan, we hadn't met at this point and that is what happens in this scene. The other pairs were Louis and Tristan, Amelie and Silvana and Hugo and Seth. Within the pairs, we had to create a set of movements to a count of 8 so that we could put it in a loop. For example, with James and I, my counts were, grab the beer glass, take a glug, cheer, slam it down and slide it to James. James had the same amount of beats as I did but he was being a bar tender so cleaning the glasses and filling them up with beer. James and I slid the glasses at the same time so the other person caught it. I also had to play drunk as I drink more and more. I came into the scene first, then Louis and Tristan, then Amelie and Silvana and finally Hugo and Seth. Every time the pairs went up to the bar, I had to interact with the partners. When the boys came, I had to try flirt with them and when the girls came, I tried to dance with them. After the 3 pairs came up to the bar, Tristan came back up and I did a chair duet with him. This was to show how we met. We wanted to make the chair duet look as fresh as possible with a real connection. One way we showed this was through having our faces extremely close together. It was quite difficult to make this chair duet as we weren't on staging blocks.
...
...
For this scene, we used the song Friday I'm In Love by The Cure as a stimulus. We liked the fun atmosphere it brought out of the characters and the scene.
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...
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...
After this scene it goes straight into a scene between Tristan, Louis and James where they have an argument.
PROLOGUE
We decided that it would be best to change the characters around a bit so Tristan was now playing David instead of Hugo and now Hugo was playing Jeff (now changed to Laurent), Meredith's sister. The prologue we started with now didn't work with the new story line so we had to change some things round a bit. I stayed the same but now had to teach Tristan the choreography that Hugo had previously. After that, we went into the bar scene we created this morning and fragmented monologues between Tristan, Louis and Harry.
SWINDON 5
Then we created a Swindon 5 piece to portray the train station when Laurent goes to see Meredith in London. It started off very choreographed so everyone was evenly spaced apart and we didn't have specific characters, it was more neutral. Then after testing the waters we gave ourselves specific characters. I was an old lady so I also walked very slowly and people overtook me. We also added the specific places so it didn't look as if we were walking around aimlessly. We had a cafe downstage left, the departure board downstage right and the platform upstage left.
FULL RUN THROUGH
At the end we had a full run through of the material we had so far and it worked out really well. We also timed it to see how much content we had and it came to around 15 minutes. This was a lot better than what we were expecting. I think we're all a lot more motivated and excited.
We created a movement sequence for the opening bar scene. We got into pairs which would work the most realistically. I went with James because even though I start dating Tristan, we hadn't met at this point and that is what happens in this scene. The other pairs were Louis and Tristan, Amelie and Silvana and Hugo and Seth. Within the pairs, we had to create a set of movements to a count of 8 so that we could put it in a loop. For example, with James and I, my counts were, grab the beer glass, take a glug, cheer, slam it down and slide it to James. James had the same amount of beats as I did but he was being a bar tender so cleaning the glasses and filling them up with beer. James and I slid the glasses at the same time so the other person caught it. I also had to play drunk as I drink more and more. I came into the scene first, then Louis and Tristan, then Amelie and Silvana and finally Hugo and Seth. Every time the pairs went up to the bar, I had to interact with the partners. When the boys came, I had to try flirt with them and when the girls came, I tried to dance with them. After the 3 pairs came up to the bar, Tristan came back up and I did a chair duet with him. This was to show how we met. We wanted to make the chair duet look as fresh as possible with a real connection. One way we showed this was through having our faces extremely close together. It was quite difficult to make this chair duet as we weren't on staging blocks.
...
...
For this scene, we used the song Friday I'm In Love by The Cure as a stimulus. We liked the fun atmosphere it brought out of the characters and the scene.
...
...
...
...
After this scene it goes straight into a scene between Tristan, Louis and James where they have an argument.
PROLOGUE
We decided that it would be best to change the characters around a bit so Tristan was now playing David instead of Hugo and now Hugo was playing Jeff (now changed to Laurent), Meredith's sister. The prologue we started with now didn't work with the new story line so we had to change some things round a bit. I stayed the same but now had to teach Tristan the choreography that Hugo had previously. After that, we went into the bar scene we created this morning and fragmented monologues between Tristan, Louis and Harry.
SWINDON 5
Then we created a Swindon 5 piece to portray the train station when Laurent goes to see Meredith in London. It started off very choreographed so everyone was evenly spaced apart and we didn't have specific characters, it was more neutral. Then after testing the waters we gave ourselves specific characters. I was an old lady so I also walked very slowly and people overtook me. We also added the specific places so it didn't look as if we were walking around aimlessly. We had a cafe downstage left, the departure board downstage right and the platform upstage left.
FULL RUN THROUGH
At the end we had a full run through of the material we had so far and it worked out really well. We also timed it to see how much content we had and it came to around 15 minutes. This was a lot better than what we were expecting. I think we're all a lot more motivated and excited.
Tuesday, 11 February 2020
11.02.20 - FEST - Ms Trono
In today's rehearsal I spent most of the time script writing as we needed some more content. Silvana and I scripted the scene where Marie confronts Jane about David's plan. We decided to have the start naturalistic and then go into a physical theatre where it starts with Silvana and then Tristan replaces her. We took some inspiration from Frantic Assembly's 'Things I Know To Be True' with having a monologue whilst still doing physical theatre. We took specific inspiration from a scene where the main character is doing a monologue and there are hands touching and holding her. This was the physical theatre we started to create.
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...
After that I began to script the scene where David and my character first meet in the bar.
SCRIPT WRITING
Scene where Marie confronts Jane about David's plan
Jane - Hi Marie!
Marie - Hi Jane love.
Jane - How is it living with boys for the first time? Hahaha
Marie - Oh my god it's a lot harder than I thought hahah.
Jane - Trust me it doesn't get any easier!
Marie - Hahaha. *pause* I brought you here because there's something I wanted to bring up. I've heard a little rumour that you and David we're trying to break up Meredith and Harry?
Jane - I-
Marie - Don't worry, I won't tell anybody. I think that you're a lot better than that, to be honest. I know it's not my place to say anything because I haven't known you for too long but you seem a little bit off with David.
Jane - What? No... It's fine.
Marie - Are you sure? You know you can talk to me about anything.
*Into physical theatre*
*Jane's monologue*
Jane - It started two years ago. He seemed like the perfect man.
Scene where David and Jane meet
*On way out of pub, David picks up Jane's jacket*
Jane - Excuse me! Hey you!
David - What do you want?!
Jane - You've got my jacket there.
David - No it's my jacket.
Jane - I'm telling you it's mine.
David - Trust me. I'm not in the mood for this now piss off.
Jane - Seriously check the label.
David - Jesus! Fine!
*Jane waiting with a smug face*
Jane - Hmm?
David - Wow I'm such an idiot. I'm so sorry, please don't think I'm a burglar. Let me repay you.
Jane - For what? It was an honest mistake.
David - No please let me do this for you.
Jane - Look I'm with friends right now but I'll be here tomorrow night.
David - Okay see you tomorrow... Um-
Jane - Jane. And you are?..
David - David.
Jane - Nice to meet you David.
David - Have a nice night.
Jane - And you.
...
...
After that I began to script the scene where David and my character first meet in the bar.
SCRIPT WRITING
Scene where Marie confronts Jane about David's plan
Jane - Hi Marie!
Marie - Hi Jane love.
Jane - How is it living with boys for the first time? Hahaha
Marie - Oh my god it's a lot harder than I thought hahah.
Jane - Trust me it doesn't get any easier!
Marie - Hahaha. *pause* I brought you here because there's something I wanted to bring up. I've heard a little rumour that you and David we're trying to break up Meredith and Harry?
Jane - I-
Marie - Don't worry, I won't tell anybody. I think that you're a lot better than that, to be honest. I know it's not my place to say anything because I haven't known you for too long but you seem a little bit off with David.
Jane - What? No... It's fine.
Marie - Are you sure? You know you can talk to me about anything.
*Into physical theatre*
*Jane's monologue*
Jane - It started two years ago. He seemed like the perfect man.
Scene where David and Jane meet
*On way out of pub, David picks up Jane's jacket*
Jane - Excuse me! Hey you!
David - What do you want?!
Jane - You've got my jacket there.
David - No it's my jacket.
Jane - I'm telling you it's mine.
David - Trust me. I'm not in the mood for this now piss off.
Jane - Seriously check the label.
David - Jesus! Fine!
*Jane waiting with a smug face*
Jane - Hmm?
David - Wow I'm such an idiot. I'm so sorry, please don't think I'm a burglar. Let me repay you.
Jane - For what? It was an honest mistake.
David - No please let me do this for you.
Jane - Look I'm with friends right now but I'll be here tomorrow night.
David - Okay see you tomorrow... Um-
Jane - Jane. And you are?..
David - David.
Jane - Nice to meet you David.
David - Have a nice night.
Jane - And you.
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